Jonathan Ruppin writes for PEN Atlas about the shortlist for the Independent Foreign Fiction Prize, what it can tell us about the context of translated fiction in the present and which names to keep an eye out for in the future
PEN Atlas Editor, Tasja Dorkofikis talks to Gerbrand Bakker about his novel, The Detour, walking in Wales for two weeks, and translating Emily Dickinson
Michele Hutchison explores the globalisation debate for PEN Atlas. Do authors consciously write for an international market and, if so, what does that means for authenticity?