Being both – a very personal revolution
Jan Carson reflects on being Northern Irish in the age of Brexit.
Jan Carson reflects on being Northern Irish in the age of Brexit.
Theodora Sarah Abigail (Ebi) reflects on how motherhood has upended her life.
Austrian writer Robert Menasse’s The Capital (translated from German by Jamie Bulloch) has been called ‘the first EU novel’. We talked to him about political writing and his belief in the EU as a transnational project.
Ece Temelkuran is an award-winning Turkish writer now based in Zagreb. We caught up with her during her book tour to talk about politics, the marketplace of ideas, and how writers in exile are victimised.
As the UK makes its way through the interminable Brexit process, it's time for an issue on the radical political and personal changes that we see going on around us, and within us.
Samanta Schweblin is the celebrated author of Fever Dream and Mouthful of Birds. We spoke to her about the relationships she explores in her work, the concept of normality, and how to write about technology.
Pleasure, carnality, lust: Saskia Vogel investigates ‘logical families’ built around a common interest in the erotic

Families are different for those with superpowers. Sarah Shaffi explores the importance of the 'found family' trope in superhero and supervillain narratives.
"I try to hold on to what I remember, wondering where and what home is for me." Ege Dündar hasn't seen his home, his mother, and his beloved dog in three years. He is building a life guided by memories.
Yan Ge cultivates multiple selves, some more terrifying than others.
‘Not everyone should have one, but 2017 was my annus horribilis.’ Pınar Öğünç reflects on Turkey, political change, and Sansevierias.

‘Could feminism transform language? And could a transformed language transform reality in turn?’ Alia Trabucco Zerán reports on recent changes in Spanish-language feminism.
Male inadequacy and virtual mirages of aggression: Guy Gunaratne on terrorism, incels and the performance of violent masculinity
Livia Franchini is stuck between two countries and languages, ‘back and forth between two distinct, self-sufficient identities of home’.
As the days are getting shorter, we investigate things that are tucked away in dark corners of the brain - or the national consciousness.

Elias Khoury is back with My Name Is Adam, the story of a man who decides to investigate what happened in 1948 in Palestine in the city of Lydda where he was born.