Albania’s Luljeta Lleshanaku grew up in negative space, living under family house arrest during the years of Enver Hoxha’s autocratic communist rule. Her recent poems are a response to what was missing then, not only in her life but for her whole generation, evoking absences, emptiness – what was unseen, unspoken or undone – through the concept of negative space. The space around objects, not the objects themselves, becomes the real, most significant part of an image, bringing balance to the whole of a composition, so enabling Lleshanaku to look back at the reality of her Albanian past and give voice to those who could not speak for themselves.
Many of the poems are tied to no specific place or time. Histories intertwine and stories are re-framed. Sorrow and death, love and desire, imprisonment and disappointment are all themes that echo deeply in Lleshanaku’s hauntingly beautiful poems. Negative Space draws on two recent collections published in Albania, Almost Yesterday (2012) and Homo Antarcticus (2015), and follows Haywire: New & Selected Poems, her first UK selection published by Bloodaxe in 2011, a Poetry Book Society Recommended Translation which was shortlisted for the Corneliu M. Popescu Prize in 2013.