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Home > Translation > The World Bookshelf > Books > All for Nothing

All for Nothing

Winter, January 1945. It is cold and dark, and the German army is retreating from the Russian advance. Germans are fleeing the occupied territories in their thousands, in cars and carts and on foot. But in a rural East Prussian manor house, the wealthy von Globig family tries to seal itself off from the world.

Peter von Globig is twelve, and feigns a cough to get out of his Hitler Youth duties, preferring to sledge behind the house and look at snowflakes through his microscope. His father Eberhard is stationed in Italy – a desk job safe from the front – and his bookish and musical mother Katharina has withdrawn into herself. Instead the house is run by a conservative, frugal aunt, helped by two Ukrainian maids and an energetic Pole. Protected by their privileged lifestyle from the deprivation and chaos around them, and caught in the grip of indecision, they make no preparations to leave, until Katharina’s decision to harbour a stranger for the night begins their undoing.

Superbly expressive and strikingly vivid, sympathetic yet painfully honest about the motivations of its characters, All for Nothing is a devastating portrait of the self-delusions, complicities and denials of the German people as the Third Reich comes to an end.

Author

Walter Kempowski

Walter Kempowski

Books

Swansong 1945

All for Nothing

Walter Kempowski (1929-2007) was one of Germany’s most important post-war writers. He settled after the war in Hamburg, but on returning to his home town of Rostock in the late 1940s he was sentenced to 25 years in prison for espionage by a Soviet military tribunal, of which he served eight years, in Bautzen. His first success as an author was the autobiographic novel Tadellöser & Wolff (1971) part of his acclaimed series of novels German Chronicles. In the 1980s he began work on an immense project, Echo Soundings, gathering together first hand accounts, diaries, letters and memoirs of the second world war, which he collated and curated into ten volumes published over 20 years, and which is considered a modern classic. Swansong 1945, published in Germany in 2005, and translated into English here for the first time, is the final volume of that work.

Translator

Anthea Bell

Anthea Bell

Books

How The Soldier Repairs the Gramophone

Back to Back

Gone To Ground

All for Nothing

Anthea Bell was born in Suffolk, England, and is the daughter of writer Adrian Bell. She was educated at the University of Oxford (Somerville College) and has worked for many years as a freelance translator, mainly from French and German, also serving three terms on the committee of the UK Translators’ Association, and nine years on the jury panel of the Schlegel-Tieck German translation prize. She was appointed OBE in the New Year Honours List 2010. Her translations include W. G. Sebold’s Austerlitz, which won the Independent Foreign Fiction Prize in 2002. She was awarded the Federal German Verdiestkreuz (Cross of Merit) in 2015.

Published by

Granta Books, 2015
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Winter, January 1945. It is cold and dark, and the German army is retreating from the Russian advance. Germans are fleeing the occupied territories in their thousands, in cars and carts and on foot. But in a rural East Prussian manor house, the wealthy von Globig family tries to seal itself off from the world.

Peter von Globig is twelve, and feigns a cough to get out of his Hitler Youth duties, preferring to sledge behind the house and look at snowflakes through his microscope. His father Eberhard is stationed in Italy – a desk job safe from the front – and his bookish and musical mother Katharina has withdrawn into herself. Instead the house is run by a conservative, frugal aunt, helped by two Ukrainian maids and an energetic Pole. Protected by their privileged lifestyle from the deprivation and chaos around them, and caught in the grip of indecision, they make no preparations to leave, until Katharina’s decision to harbour a stranger for the night begins their undoing.

Superbly expressive and strikingly vivid, sympathetic yet painfully honest about the motivations of its characters, All for Nothing is a devastating portrait of the self-delusions, complicities and denials of the German people as the Third Reich comes to an end.

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