The setting for this witty and insightful debut crime novel is a Rio de Janeiro family hotel. Rio is the perfect backdrop with its history of military dictatorship, drug wars, child gangs and violent policing tactics. The decapitated body of a hotel resident is found. The eyes have been removed from the head, casually left on the floor of the room. The victim’s eerie, frozen Mona Lisa smile seems to indicate that the murderer had been received as a friend. This classical crime novel provides an opportunity for Frei Betto (a Dominican friar, once a political prisoner, a union activist and then an adviser to President Lula da Silva) to describe Brazilian society, especially those left at its edge, like Rio’s favela children, abused, hunted-down, but also addicted to drugs and violent crime.
Author
Frei Betto
Frei Betto, born in 1944, is a Brazilian writer, political activist, liberation theologian and Dominican Friar. He was imprisoned for four years in the 1970s by the military dictatorship for smuggling people out of Brazil. He is still involved in Brazilian politics, and worked for the government of President Lula da Silva as an advisor on prison policy and child hunger. His books have been translated into 23 languages. Hotel Brasil is his first crime novel.
Translator
Jethro Soutar
Jethro Soutar is a translator of Spanish and Portuguese. He has translated crime fiction from Argentina (Needle in a Haystack by Ernesto Mallo, nominated for an International Dagger) and Brazil (Hotel Brasil by Frei Betto, winner of a PEN award) for Bitter Lemon Press. His translation of By Night The Mountain Burns by Juan Tomás Ávila Laurel was published by And Other Stories in November 2014. He also co-edited and co-translated The Football Crónicas for Ragpicker Press.
Published by
Bitter Lemon, 2014
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The setting for this witty and insightful debut crime novel is a Rio de Janeiro family hotel. Rio is the perfect backdrop with its history of military dictatorship, drug wars, child gangs and violent policing tactics. The decapitated body of a hotel resident is found. The eyes have been removed from the head, casually left on the floor of the room. The victim’s eerie, frozen Mona Lisa smile seems to indicate that the murderer had been received as a friend. This classical crime novel provides an opportunity for Frei Betto (a Dominican friar, once a political prisoner, a union activist and then an adviser to President Lula da Silva) to describe Brazilian society, especially those left at its edge, like Rio’s favela children, abused, hunted-down, but also addicted to drugs and violent crime.